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WORKING WITH ACTORS
José Angel Santana, Ph.D. :|: THE ART OF CONNECTING
Saturday, May 3, 2008
MARLON BRANDO TALKS ON ACTING IN THE PERFORMANCE OF EVERYDAY LIFE
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"The play's the thing wherein I'll catch the conscience of the king."
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Acting: A Handbook of the Stanislavski Method, by Toby Cole
Acting: The First Six Lessons, by Richard Boleslavsky
Actions: The Actors' Thesaurus
An Actor Prepares, by Constantin Stanislavski
Aristotle's Poetics for Screenwriters, by Michael Tierno
Aristotle's Poetics, Francis Fergusson, ed.
Creating Life on Stage: A Director's Approach to Working with Actors, by Marshall W. Mason
Friendly Enemies, by Dalia Salvi
I'll Be In My Trailer, by John Badham & Craig Modderno
Making Movies, by Sidney Lumet
The Hero with a Thousand Faces, by Joseph Campbell
The Presentation of Self in Everyday Life, Erving Goffman
The Stanislavski System, by Sonia Moore
The Technique of Inner Action, by Bill Bruehl
The Theory of the Theatre
The Writers Journey: Mythic Structure for Writers, by Christopher Vogler
Three Uses of the Knife: On the Nature and Purpose of Drama, by David Mamet
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"WORKING WITH ACTORS" by Greg Pak
A RHETRORIC OF SYMBOLIC IDENTITY: AN ANALYSIS OF SPIKE LEE'S X AND BAMBOOZLED
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THE MYTHIC BLACK HERO: FROM SLAVERY TO FREEDOM
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THE TRANSFORMATIVE FUNCTION OF STORY
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SIDNEY POLLACK
SIDNEY POLLACK: "HE TALKS IN A LANGUAGE THAT ACTOR...
REFLECTIONS ON "AGON" THE CENTRAL ELEMENT OF "CONT...
PABLO PICASSO
KIM CHUEH: TERRIFIC YOUNG ACTOR
ON GIVEN CIRCUMSTANCES
ADAPTATION/DOCUMENTARY MARATHON
KONSTANTIN STANISLAVSKY:CREATIVE WORK WITH THE ACT...
ACTIONS: THE ACTORS' THESAURUS
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