skip to main
|
skip to sidebar
WORKING WITH ACTORS
Seek first to understand, then to be understood.
Tuesday, March 11, 2008
CINEMA PARADISO
SHE'S GOTTA HAVE IT
-----------------------------------------------------------------------------------
"The play's the thing wherein I'll catch the conscience of the king."
0 comments:
Post a Comment
Newer Post
Older Post
Home
Subscribe to:
Post Comments (Atom)
AddThis
Share
|
HOME
"THE KILLING" BY WILLIAM INGE
FRANCIS FORD COPPOLA: ON RISK, MONEY, CRAFT & COLLABORATION
TEACHER AS STUDENT (JOURNAL)
TEACHER AS STUDENT (VIDEO)
WHAT NARRATIVE
PEOPLE WHO'VE WORKED WITH PEOPLE YOU KNOW AND TRUST.
THE CASTING DIRECTORY*SOCIAL
>Join Us
Teatro Lincoln
"GOD OF LOVE"
- LUKE MATHENY WIN - 2010 ACADEMY AWARDS -
LIVE ACTION SHORT
SELF-IMPROVEMENT THROUGH HEALTH & FITNESS
FEATURED POSTS
THEATERS TO FIND ACTORS
ACTIVE VERB LIST
COMMUNITY LINKS
50TODEATH (JSOK)
ACTORS 4 DIRECTORS/DIRECTORS 4 ACTORS
AMY FOX
Vulture
Loading...
DIRECTOR'S RESOURCES
If Charlie Parker Was a Gunslinger, There'd Be a Whole Lot of Dead Copycats
The Center for Independent Documentary
STUDENTFILMAKER.COM (NEW)
FREE DICTIONARY
BLACK HOLLYWOOD RESOURCE CENTER
STEVEN SODERBERGH ONLINE
BRITISH FILM INSTITUTE
The Lark Theatre Company
FILM INDEPENDENT
CINEMA PARADISO
B & H: photo - video
BACK STAGE (Casting Resource)
ifp
inPOINT - Information about every phase of production.
mandy.com
New Dramatists
Samuel French
The Drama Book Shop
The Ensemble Studio Theatre
the independent
The Internet Movie Database
Wordplay
WritePro
Writer's Store
COMMENTARY
AFI.com
Cinemarati
Cinematical
Film Comment Magazine
Gerald Peary
Metaphilm
Movie Maker Magazine
movie review query engine
Roger Ebert
Rotten Tomatoes
Sense of Cinema
Sight & Sound
Slant Magazine
Women In Film
PROFESSIONAL INFORMATION
Academy of Motion Pictures Arts and Sciences
American Society of Cinematographers
Creative Planet Communities
Director's Guild of America
Dogme 95
EditorsNet
FILMFESTIVALS.COM
Indiewire
Motion Picture Editors Guild
Slamdance
Sundance Institute
The William Morris Agency
Writers Guild of America
BLOGROLL
JULIE GOES TO HOLLYWOOD
FILM NEWS
Ain't It Cool News
Box Office Guru
Box Office Mojo
Entertainment Weekly
Film Threat
FirstShowing.net
Mania
The Hollywood Reporter
SUGGESTED READING
Acting: A Handbook of the Stanislavski Method, by Toby Cole
Acting: The First Six Lessons, by Richard Boleslavsky
Actions: The Actors' Thesaurus
An Actor Prepares, by Constantin Stanislavski
Aristotle's Poetics for Screenwriters, by Michael Tierno
Aristotle's Poetics, Francis Fergusson, ed.
Creating Life on Stage: A Director's Approach to Working with Actors, by Marshall W. Mason
Friendly Enemies, by Dalia Salvi
I'll Be In My Trailer, by John Badham & Craig Modderno
Making Movies, by Sidney Lumet
The Hero with a Thousand Faces, by Joseph Campbell
The Presentation of Self in Everyday Life, Erving Goffman
The Stanislavski System, by Sonia Moore
The Technique of Inner Action, by Bill Bruehl
The Theory of the Theatre
The Writers Journey: Mythic Structure for Writers, by Christopher Vogler
Three Uses of the Knife: On the Nature and Purpose of Drama, by David Mamet
DROPPING KNOWLEDGE
"WORKING WITH ACTORS" by Greg Pak
A RHETRORIC OF SYMBOLIC IDENTITY: AN ANALYSIS OF SPIKE LEE'S X AND BAMBOOZLED
ANNENBERG AMERICAN CINEMA
ATTENTION, MOVIE CUTS, AND NATURAL VISION:
AUTHORSHIP AND THE FILMS OF DAVID LYNCH
CINEMA FOR TRANSFORMATION: TOWARDS A PEDAGOGY OF SOCIAL CHANGE
CLASSIC MOVIES: Collected links and resources relating to the classic era of Hollywood filmmaking.
DECLARATIONS OF INDEPENDENCE: FILM AND THE AMERICN MYTHOLOGY
Glossary of Roles in Movie Making
HUMBLE AUTHORSHIP BY Jeff Deutchman
IN THE MOMENT: MYTH AND METHOD IN CONTEMPORARY HOLLYWOOD FILM ACTING
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies
MARTIN SCORSESE AND THE POETICS OF POST-CLASSICAL AUTHORSHIP
MICHELANGELO ANTONIONI: ICONOLATRY AND ICONOCLASM
MITOPENCOURSEWARE (NEW)
MYTH AND NARRATIVE: RESISTANCE AND REDEMPTION VIA NARRATIVE ELEMENTS AND COUNTER-MYTHS IN SHERMAN ALEXIE'S FILM: SMOKE SIGNALS
MYTHS AND MOVIES: A MYTHOGRAPHICAL METODOLOGY OF MOTION PICTURE ANALYSIS
P.O.V. Interactive
PAUSE & EFFECT: The Art of Interactive Narrative, by Mark S. Meadows
SANFORD MEISNER: THE THEATER'S BEST KEPT SECRET
The Film Guide Wiki
THE MYTHIC BLACK HERO: FROM SLAVERY TO FREEDOM
THE MYTHIC POWER OF FILM: THE IMPACT OF CINEMA ON INDIVIDUALS AND CULTURE
THE POWER OF MYTH IN AMERICAN FILMS
THE TRANSFORMATIVE FUNCTION OF STORY
ARCHIVE
►
2012
(22)
►
April
(4)
"Una Noche," a film by Lucy Mulloy Wins Top Honors...
"The Combo"
HOW A DIRECTING STUDENT BEGAN TO LEARN TO PUT THE ...
THE BLUE ROAD SHOOT (2011)
►
March
(5)
WE ARE ALL TRAYVON MARTIN
GREAT INTERVIEW: ROBERT DOWNEY SR DIRECTOR WRITER
THE SECRET: LISTENING DEEPLY TO YOUNG PEOPLE'S LIV...
THE HISPANIC ORGANIZATION OF LATIN ACTORS (HOLA)
►
February
(3)
"VIVA LA VIDA" (2 CELLOS)
AN ACTOR'S DIRECTOR - JOHN CASSAVETES
BEN GAZZARA, "THE KILLING OF A CHINESE BOOKIE" ONE...
►
January
(10)
MIGUEL COYULA'S "BLUE ROAD" TRAILER
José Angel Santana :|: The Art of Connecting
T.J.PARSELL - PRISONER NO MORE
CINDY CHEUNG IN "SPEAK UP CONNIE"
WAITING ON OTHERS - EPISODE 1 - BRING YOUR A-GAME
CHARLIE KAUFMAN BAFTA SCREENWRITER'S LECTURE
KRISTINA NIKOLOVA - "FAITH, LOVE AND WHISKEY"
DRAMA MANDALA
THE RING OF TRUTH
PERNELL WALKER INTERVIEW - "PARIAH"
►
2011
(59)
►
December
(9)
HAPPY NEW YEAR!!!!!
WAITING ON OTHERS: KITCHEN GUY
MOMENT TO MOMENT
A CHRISTMAS PRESENT
NYU RESPONSE TO RECENT PRESS
José Angel Santana, PhD
DIRECTOR DAVID CRONENBERG ON WORKING WITH ACTORS
WAITING ON OTHERS - CREATOR INTERVIEW
CONGRATULATIONS BROOKE SWANEY AND KENDRA MYLNECHUK...
►
November
(3)
Teatro Lincoln
SOPHIE SCHOLL: THE FINAL DAYS
PETER BRODERICK
►
October
(6)
Daniel B. BURKE; HELPED ENGINEER CAPITAL CITIES-AB...
THE CASTING DIRECTORY*SOCIAL - 700 MEMBERS
FOG CITY MAVERICKS
imagine science films: SCIENCE FILM FESTIVAL - OCT...
PARSONS ET ALL SET T JOIN TRIBUTE TO GROUP THEATRE...
DARREN ARONOFSKY ON CONNECTING WITH AUDIENCE
►
September
(5)
ACTIVE VERBS
DARREN ARONOFSKYO ON WORKING WITH ACTORS
COLE WILEY WINS BEST SCREENPLAY
DARREN ARONOFSKY GIVES ADVICE TO ASPIRING FILMMAKE...
NY TIMES: THE NAME MIGHT ESCAPE, NOT THE WORK
►
August
(1)
NEW COMEDY WEB SERIES: THE SLOPE
►
July
(1)
ADVICE ON LAUNCHING AN INDEPENDENT CAREER: AN OPEN...
►
June
(1)
INDIE FILM FINANCE MODEL V2011.1: THE TEN FACTORS
►
May
(4)
NY THEATRE INTENSIVES
DOMINIQUE DELEON: "FIT IS FOREVER" - CROSSFIT 718
►
April
(6)
►
March
(7)
►
February
(9)
►
January
(7)
►
2010
(89)
►
December
(3)
►
November
(6)
►
October
(4)
►
September
(7)
►
August
(10)
►
July
(20)
►
June
(16)
►
May
(6)
►
April
(4)
►
March
(5)
►
February
(8)
►
2009
(21)
►
December
(4)
►
September
(5)
►
August
(4)
►
July
(3)
►
June
(1)
►
March
(2)
►
February
(1)
►
January
(1)
▼
2008
(75)
►
December
(5)
►
November
(6)
►
October
(6)
►
September
(9)
►
August
(2)
►
June
(3)
►
May
(12)
►
April
(13)
▼
March
(19)
WAR, INC.
FROM THE NEW YORK TIMES
L'AVVENTURA
FROM THE NEW YORK TIMES
ACTING IS DOING. THE "CHARACTER" IS "HOW" YOU DO I...
MARTIN SCORSESE AND THE POETICS OF POST-CLASSICAL ...
WRITING AND DIRECTING CHARACTERIZATION
ESSENTIAL READING
INFANT ATTENTION TO PURPOSEFUL ACTION
STORIES FROM A WORLD IN MOTION
ALTERNATIVE FORMS OF NARRATIVE STRUCTURE
ESSENTIAL READING
CINEMA PARADISO
HOLDING THE MIRROR UP TO NATURE
excerpt from: FILM DIRECTORS ON DIRECTING, BY JOHN...
SO, NOW, WHY HAVE YOU CALLED US TOGETHER?
"AN ACTOR IS FORCED TO TRUST A DIRECTOR"
ON THE MINUTEST DETAIL
TO SEE - TO EXPERIENCE - TO SHARE
0 comments:
Post a Comment